Noukadubi by Rabindranath Tagore / নৌকাডুবি - রবীন্দ্রনাথ ঠাকুর

 Book introduction:

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The burden that the reader assumes cannot be given to the writer. Introspection is not appropriate on the occasion of one's own composition. He can be called unjust because it is impossible to do so in a very impersonal way - for which the line of selfless judgment is not right. The publisher wanted to know why I went to write a boat sinking. I don't know how to say all this. The outside news can be given, that is the urging of the publisher. The source is deep inside, Gomukhi is not the source. The publisher's order is more called motivation. But what can I say without it? The story is completely different from the story. Needless to say there was no rush of the story inwards. When the pedestrian of story writing does not leave the door, he has to think what to write. The demands of time have changed. At one point, the curiosity of the story has become psychotic. Events have become secondary.

So, in search of the secrets of the mind in an unusual state, a huge mistake was inflicted on the life of the hero-heroine - very cruel but curious. The question of its extreme psychology is whether the reform that the ordinary girls of our country have in mind about the permanence of the husband's relationship is so deeply rooted that he can break the web of unconscious first love with contempt. But a universal answer to all these questions is not possible. In the mind of a particular girl, it is not impossible for the eternal reform of the society to be so strong that it can break all ties and run towards her at the news of an unknown husband. If the bond and the reform had been equally strong, if the woman's mind had been at war with the two sides in the end, the drama of the story could have been brighter, the scars of her tragic misery would have burned in her mind forever.

The unfortunate Ramesh, who has become the main vehicle of the TJD - his sadness is  not so much against the antithesis of the counter-attitude as it is about the inescapable complexity of the events. For this reason, if the judge convicts the author, I will not answer. I will just say that if there is no wastage of juice in the part of the story where there is a touch of poetry in the narration and pain, then the fame of the poet may be saved in that part from all the shipwrecks. But I can also say without hesitation, because the taste is changing rapidly. 


Rabindranath Tagore
Agrahayan 1348



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Language: Bangla
File Size: 2mb

Author introduction:
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Rabindranath Tagore (May 7, 181 - August 7, 1941) (25 Baishakh, 126 - 22 Shravan, 1348 BS) was a leading Bengali poet, novelist, composer, playwright, illustrator, short story writer, essayist, actor and vocalist. He is considered to be the greatest writer of Bengali language. Rabindranath was awarded the titles of Gurudev, Kabiguru and Bishwakabi.

Rabindranath's 52 books of poetry, 36 plays, 13 novels and 36 essays and other collections of prose were published during his lifetime or immediately after his death. A total of 95 short stories and 1915 songs have been included in his collection of short stories and lyric poems respectively. All the published and unpublished works of Rabindranath have been published in 32 volumes under the name of Rabindra Rachnabali. All of Rabindranath's correspondence is published in nineteen volumes of letters and four separate texts. He also painted about two thousand pictures. Rabindranath's works have been translated into many languages ​​of the world. He was awarded the Nobel Prize in Literature in 1913 for his English translation of the Gitanjali.

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